Overview: Digital Camera Mounts
Mounting your digital cinema camera on a hi-hat provides a stable, low-angle setup for dynamic shots in tight spaces. Whether you’re working with ARRI, RED, Sony, or other professional camera systems, choosing the right hi-hat ensures secure support and compatibility with your camera’s weight and mounting requirements. Below, you’ll find a detailed reference table outlining camera models and compatible hi-hat configurations to help you find the perfect match for your setup.
Digital Cine Cameras
| Digital Cine Camera | MYT Hi-Hat and Mount | |
|---|---|---|
| Arri Alexa 35 | 150mm or Mitchell | |
| Arri Alexa Mini LF | 100mm, 150mm, or Mitchell | |
| Arri Amira | 100mm, 150mm, or Mitchell | |
| RED V-Raptor 8K VV | 100mm is more than enough | |
| RED KOMODO 6K | 100mm is more than enough | |
| RED DSMC2 Helium | 100mm is more than enough | |
| RED DSMC2 Monstro | 100mm is more than enough | |
| RED DSMC2 Gemini | 100mm is more than enough | |
| Sony Venice | 150mm or Mitchell | |
| Sony Venice 2 | 150mm or Mitchell | |
| Sony FX9 | 100mm, 150mm, or Mitchell | |
| Sony FX7 | 100mm is more than enough | |
| Sony FX6 | 100mm is more than enough | |
| Canon C500 Mark II | 100mm is more than enough | |
| Canon C300 Mark III | 100mm is more than enough | |
| Canon R5 C | 100mm is more than enough | |
| Panasonic VariCam LT | 150mm or Mitchell | |
| Panasonic Lumix S1H | 100mm, 75mm or Flat Mount | |
| Blackmagic URSA Mini Pro 12K | 100mm, 75mm or Flat Mount | |
| Blackmagic Pocket Cinema Camera 6K Pro | 75mm or Flat Mount | |
| Mamiya M645 | 75mm or 100 | |
| Fujifilm GFX100 II | **HI HAT TBD | |
| PTZ | **HI HAT TBD | |
| Imax | **HI HAT TBD | |
| Sony Burano | **HI HAT TBD | |
| Sony A7 | **HI HAT TBD |