Which Hi-Hat is Right For You?
Choosing the right Hi-Hat for your camera setup is key to ensuring stability, versatility, and ease of use. The tables below help you quickly identify the best MYT Works Hi-Hat options for your specific digital or film camera system.
You can always Contact Us to ask about your unique setup or creative idea.
For optimal performance and compatibility, explore the breakdowns by camera type:
Digital Cine Cameras
| Digital Cine Camera | MYT Hi-Hat and Mount | |
|---|---|---|
| Arri Alexa 35 | 150mm or Mitchell | |
| Arri Alexa Mini LF | 100mm, 150mm, or Mitchell | |
| Arri Amira | 100mm, 150mm, or Mitchell | |
| RED V-Raptor 8K VV | 100mm is more than enough | |
| RED KOMODO 6K | 100mm is more than enough | |
| RED DSMC2 Helium | 100mm is more than enough | |
| RED DSMC2 Monstro | 100mm is more than enough | |
| RED DSMC2 Gemini | 100mm is more than enough | |
| Sony Venice | 150mm or Mitchell | |
| Sony Venice 2 | 150mm or Mitchell | |
| Sony FX9 | 100mm, 150mm, or Mitchell | |
| Sony FX7 | 100mm is more than enough | |
| Sony FX6 | 100mm is more than enough | |
| Canon C500 Mark II | 100mm is more than enough | |
| Canon C300 Mark III | 100mm is more than enough | |
| Canon R5 C | 100mm is more than enough | |
| Panasonic VariCam LT | 150mm or Mitchell | |
| Panasonic Lumix S1H | 100mm, 75mm or Flat Mount | |
| Blackmagic URSA Mini Pro 12K | 100mm, 75mm or Flat Mount | |
| Blackmagic Pocket Cinema Camera 6K Pro | 75mm or Flat Mount | |
| Mamiya M645 | 75mm or 100 | |
| Fujifilm GFX100 II | **HI HAT TBD | |
| PTZ | **HI HAT TBD | |
| Imax | **HI HAT TBD | |
| Sony Burano | **HI HAT TBD | |
| Sony A7 | **HI HAT TBD |
Digital Cine Camera Hi-Hat Mounts
Hi-Hats for film cameras vary based on format size and mounting requirements. Whether you’re working with 35mm and larger formats or 16mm film, there’s a reliable solution to fit your rig.
Large Format Film Camera Hi-Hat Mounts
Hi-Hats for film cameras vary based on format size and mounting requirements. Whether you’re working with 35mm and larger formats or 16mm film, there’s a reliable solution to fit your rig.
Large Format Cine Camera Hi-Hat Mounts
| Large Format Film Camera | MYT Hi-Hat and Mount | |
|---|---|---|
| Arri Alexa 65 (digital large format) | 150mm or Mitchell | |
| Mamiya RZ67 | 100mm is more than enough |
35mm Film Camera Hi-Hat Mounts
| 35mm Film Camera | MYT Hi-Hat and Mount | |
|---|---|---|
| Panavision Millennium DXL2 | 150mm or Mitchell | |
| Panavision Panaflex Gold II | 150mm or Mitchell | |
| Panavision Panaflex Millennium XL | 150mm or Mitchell | |
| Arri Arricam LT | 150mm or Mitchell | |
| Arri Arricam ST | 150mm or Mitchell | |
| Movicam Compact | 150mm or Mitchell | |
| Movicam SL | 150mm or Mitchell | |
| Panavision Millennium DXL | 150mm or Mitchell | |
| Panavision Genesis | 150mm or Mitchell | |
| Panavision Panaflex GII | 150mm or Mitchell | |
| Panavision Panaflex Lightweight | 150mm or Mitchell | |
| Arri 435 | 150mm or Mitchell | |
| Arri 535 | 150mm or Mitchell | |
| Arri 235 | 150mm or Mitchell | |
| Arri Arriflex 765 | 150mm or Mitchell |
35mm Film Camera Hi-Hat Mounts
Each table highlights the mounting base, height options, and modular configurations tailored for professional cine workflows.
16mm Film Camera Hi-Hat Mounts
Each table highlights the mounting base, height options, and modular configurations tailored for professional cine workflows.
16mm Film Camera Hi-Hat Mounts
| 16mm Film Camera | MYT Hi-Hat and Mount | |
|---|---|---|
| Arri SR3 | 100mm Hi-Hat | |
| Arri SR2 | 100mm Hi-Hat | |
| Arri SR1 | 100mm Hi-Hat | |
| Aaton XTR Prod | 100mm Hi-Hat | |
| Aaton LTR 54 | 100mm Hi-Hat | |
| Aaton A-Minima | 100mm Hi-Hat |